MARY HATCH

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PRINTS

By the time Epson developed archival technology for inkjet printers I was already a painter - in love with color - which is simply gorgeous viewed on a computer screen. The monitor easily becomes a perfect "matrix" for prints. Images can be created by all imaginable means and proofed and experimented with endlessly. Like paintings they evolve over time, often years. Yet comparing this to painting isn't quite accurate since it has its own distinct visual personality - totally unique - unlike any other medium.

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The Big Fix, archival inkjet
36" x 32", (image 30" x 26"), Edition 100

The Secret Forest, archival inkjet,
24" x 37", (image 17" x 30"), Edition 100

 

Taxi Tanks Save the World, archival inkjet,
13” x 19” (image 10" x 13"), Edition 50 &
28” x 34” (image 21.5” x 28”), Edition 50

Ladies in Lace,
archival inkjet
,
24" x 15"
(image 17" x 8"),
Edition 100

Paradise, archival inkjet,
42" x 40" (image 33.5" x 32"), Edition 100

The Secret Room"
archival inkjet,
44 " x 40" (image 40"x 36"),
Edition 100

Alice's Garden, archival inkjet,
40” x 59” (image 32” x 51”), Edition 100

Running Man,
archival inkjet
,
44" x 28.5" (image
35" x 19.5"),
Edition 50

Tending Alice's Garden, archival inkjet,
18" x 24" (image 10" x 16.5"), Edition 50

Matinee Idol, archival inkjet, 22 " x 24" (image 15.25" x 18"), Edition 50

The Brides, archival inkjet, 23" x 20" (image 14" x 11.5"), Edition 50

Generations, archival inkjet,
13" x 19" (image 9.5" x 13"), Edition 50

The Innocents, archival inkjet,
13" x 19" (image 9.5" x 14"), Edition 50